
The One-Hour MFA (Table of Contents)
Michael Kimball’s brief and excellent book on the craft of writing fiction, The One-Hour...
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by Adam Robinson | Aug 26, 2015 | The One-Hour MFA
Michael Kimball’s brief and excellent book on the craft of writing fiction, The One-Hour...
Read Moreby Michael Kimball | Aug 25, 2015 | The One-Hour MFA
Punctuation “Commas can save your life.” A writing teacher told me that. The idea is that the...
Read Moreby Michael Kimball | Aug 18, 2015 | The One-Hour MFA
Endings I don’t like to know how a piece of fiction I’m writing is going to end. This is true when...
Read Moreby Michael Kimball | Aug 11, 2015 | The One-Hour MFA
Description and Details I cut a lot of description out of my novels. I will stop reading a short...
Read Moreby Michael Kimball | Aug 4, 2015 | The One-Hour MFA
Character A writer can’t actually create people. The characters are only scratches on the page....
Read Moreby Michael Kimball | Jul 28, 2015 | The One-Hour MFA
On the continuum of how much voice (in a sense, style) can be infused into a particular piece of fiction, I have always thought first-person narration allows the fiction writer the most latitude, the most difference.
Read Moreby Michael Kimball | Jul 21, 2015 | The One-Hour MFA
Working with acoustics is a different way to find the right word, or the right place for the right word. It’s a different way to write or revise a sentence or a group of sentences.
Read Moreby Michael Kimball | Jul 14, 2015 | The One-Hour MFA
Word Counts Getting the material down is the hardest part for me. Because of this, I often find it...
Read Moreby Michael Kimball | Jul 7, 2015 | The One-Hour MFA
This is the best advice I have learned concerning different ways to think about openings, process, story and plot, language and sentences, acoustics, syntax and diction, narration and voice, character, dialogue, description and details, figurative language, endings, revision, and punctuation.
Read MoreGood hair, crooked gait